Ya know those moments when I think I'm doing good, but really create another problem that needs to be solved.  I think I'm learning that this theatre thing is complicated, and a lot of stuff has to fall together correctly for something to be fabulous.

What am I blabbing about?  So back in the day I put together a sound system for the theatre.  I spent the right amount of money on a board, cables and speakers.  Good system, should do most anything we need.  At that time I was using Regina's lap top to run a cheap sound program Aaron Rose helped me find for 50 bucks.  Then Domtar had some old computers on sale for $40 each, so I grabbed them and wha la, a permanent sound effect system.

But $40 gets you $40 worth of computer stuff.  We'd been using the on board sound card and every now and again it has some issues.  So I finally got an external sound interface to upgrade and remove the 60 Hz hum that has been plaguing us.  Yeah no more hum, buuuut every once in a while we have these weird thumping noises and interference.  I incorrectly (I think) blamed it on the computer again.

What it ended up being (I think) is that in a 2' radius around the sound board we are an electromagnetic field nightmare!  Any cell phones, wi-fi, wireless mic, or other signal that intermittently transmits causes a pulsing in the sound.  All of our cables are shielded, but there's such a massive amount of power coursing through a 2' area, that any signal gets picked up.
The only signal I'm leaving alone is the transmitter for the light grid, cause that's a whole 'nother can of worms.  We'll see if I'm right, last night I kept the signals away and there was no interference.  Time will tell.....

Here's a neat quick primer on EM problems in audio:  https://itstillworks.com/eliminate-electromagnetic-interference-12281784.html
Maybe someday we'll go to the future and do optical sound transmission.  Probably should make sure the rent is paid first.....

Stay Techie my friends!

Brian

So remember before the show I mentioned some light effects that I wanted to try, not on the ground but in the air?  So the pictures below show the effect of the breakup gobo.  The ground gets that speckled light you see when light pours through trees in the forest.  In the picture on the left you can see the rays coming down.  If I had it to do again I probably would have loaded all of the lights stage right and staggered them so they didn't cross.  The crossing lights made it hard to see the actors and I eventually ended up having to drop the intensity and change the color, lessening the effect.  However it is still cool.  We do have to keep a light layer of fog in the air to keep the mid air effect, but for $10 per gobo how can you go wrong!  I'm looking forward to growing our gobo collection.

The light through the trees is easy, I need to start thinking about how to bring these into our Christmas show.....

Anywho, stay techie my friends!

​Brian

No time, no sleep, but we get lions... :-)

So this is definitely the most sound cues I've done for a show, and crazy amount of light cues!  One of my favorites combining the sound and the light cues are the dun dun duuuuns in the first act.  So truth be told we saw something like this in another show and had to do it at the Citadel.  It's corny and kinda dumb, but it makes people laugh.  Ok, it makes me laugh. 
​From a techy stand point it is cool because it is lights and sound working together closely to enhance the show.  It's almost like our monologue, we don't get the spot light very often even though we are on the stage the whole time.  Big shout out to Jenny Julio for being my partner in crime on the light board.  Come see the show if you want to experience this effect first hand.  I'll call it a dad effect.

Stay Techie my friends!

Brian

Soooo, we were up a little late last night, getting the light's mostly aimed for Robin Hood.  Regina and Daryl are awesome, slap happy, but awesome.  I'm trying to make the design for the show different, always looking to try new shtuff.  So in this show we'll have the traditional lighting and colors that we've always done.  I have stolen 3 elipsodial lights and inserted break up gobos with leaf and tree patterns.  These lights are actually at the BACK of the stage pointed towards the floor just in front of the audience.  The effect on the floor is cool, but what I'm really thinking about is the effect in the air above the stage.  I am going to be hazin' the theater during the whole run.

Actually Jenny will be hazin' -  I'll be running sound.

Additionally we borrowed a light boom from Roger (thank you Roger!) to mount 3 par lights that we stole from the grid.  1 of these lights will be focused at the east wall behind the stage.  The other two will be pointed at the north wall, but horizontally.  We're going to put one light at ~ 5 feet and another at 10 feet.  So I was driving in to work and the sun was coming up and I noticed the sky was light on the horizon but dark overhead.  Aiming these lights like this I hope will let me recreate some of that.  Yes they are the wrong style of light.  And yes, I'm gonna work with what I've got.

Last on the light parade we're going to put incandescent floods at the base of the set to up light a tower Regina has put on her set.  I bought a 4 channel DMX dimmer so we can finally put those pesky on stage lights in the light board program.

Taking a little risk on this one.  Hope it isn't a huge mistake!  So things will work out, some other things may not.  Come back throughout the process, I'll keep on blogging.  So many exciting things with sound - HTR.  I'll say more maybe tomorrow.....

Stay Techie my friends!

Brian

You've taken over the booth; everywhere there are notes, lights, and wires, oh my.
Thoughts are scattered everywhere like the pretzels, starburst wrappers, and water bottles that lay strewn about your work space. You've spread out over this area because what is a tech week without a tech, so this is your home now. You have a spare sweater draped over the chair, comfortable fuzzy socks waiting for you in the spare chair, and pizza patiently waiting for you to take a break.
As you look around you realize you've forgotten the cds that you need to be ripping (are they free domain?), as you're looking for them that you realize you were in the middle of setting pre-show lights (it's such a simple show, can I make the pre-show colorful and crazy fun?).
It's tech week.
Breathe, make sure you are taking oxygen in deeply into your lungs, you have several days to get everything ready. This is just day one.
It's a roller coaster sometimes, but it's a ride that you love. There's no great money to be made in a local theatre, but there's an abundance of love and untapped potential. You're here because you love it, there's no where else you would rather be. The world melts away as you aim your lights, set your sounds, and sink your invisible fingers into the script to create subtle nuance behind your actor's words and actions.
The clock is winding up to seven hours spent at the theatre already, three of that spent watching rehearsal and planning what you're going to be doing with your lights once your actors are off the stage. Which means at least five to six hours tomorrow that you'll be at work.
It's tech week, hectic, crazy, and there is no where else you'd rather be.


​Colie Gotcha

So as we rush into shows with all the craziness of tech week, we hardly ever get all of the effects and scenery and lighting and sounds together that we wanted.  Mostly because you give a tech person an infinite amount of time to tweak and they will tweak and add until you stop them.  For me, I like to add and change things up through the performances in week 2, but week 3, I don't try to change anything.  It's kind of a time to run the show and look at what you were able to do, and make notes for next time.
To me that's the great thing about Enter Stage Right, you know there will be a next time.  And next time isn't that far away.  A 12 month schedule let's us play and get better.  I'm trying to keep learning, keep growing, keep improving for the other company members and the audience.  I want to say I have 20 shows worth of experience, not one show's experience 20 times.  And I see that in everyone else at ESR.  I feel lucky to be around a group of people that not only do their best at  this theatre thing for the audiences, but for each other.
I'll probably only be doing one more post before I hand the reigns over to Colie, she's got the conn for Dancing at Lughnasa.  Enjoy the shows, life, and the opportunities presented to us, and I'll see you back here for one more until Robin Hood.  I'm so psyched for that!

Stay Techie my friends!

Brian

So moving the relay worked!  Yea!  Reliable smoke, and Jenny/Darrel did the best magic cue of the whole run last night.  Congrats!

On to other tech things, did you know that the official definition of tech includes lights, sound, effects, costumes, props, and scenery?  Yes?  Probably because you are a theatre person and not a newbie like me.  So, to talk about some of the scenic design for this show..... 

The original production listed in the script as off Broadway talked about the sparse scenery used.  When scenes changed the flats were flown in and out of the stage.  Well, if you've been to the Citadel you know we're not flying anything in and out of the stage, except for maybe Bruce the bat during the warm summer months.

So Regina came up with a unique idea to have rotating stage pieces, each side was a different scene.  Joe helped her build them and now we have 36 flats attached to lazy Susan mechanisms that spin easily with one person.  The three pictures here are all of the same place on the stage, just different sides of the spinner.  If I can remember tonight I'll get some video to post here.

Stay techie my friends!

Brian

So, long day.  Went out of town for work, came back, SWORE I was going home without going to the theatre, but....  The smoke machine needed fixing and tested during the pick up rehersal, and everyone there is tired, so where do I get off laying on my couch while everyone else works hard?  Plus, cool people and my wife is there!  

Moved the relay to the front of the risers, seems to work.  More lights on the link signal are staying lit, so cross your fingers for us.

Also, highlight of the night, Chloe Julio running spot light for the rehearsal.  

Catch y'all tomorrow after the show - #4.

​Brian

Hi Everybody!  So this is a blog we techies are starting to spill our guts to everyone in written word..... and to help the SEO so we end up on the first page of results in google.  I'm nothing if not honest....

Whoever has the stage at the theatre will also have control of this blog, to add things, talk about deep desires, ruminate on how to take over the world....or at least all of the chairs in the booth.

Currently we're running Prelude to a Kiss and Jenny Julio (don't foolio with the Julio), Darrel Hafner (The Magic Man), and I are tickling the ivories on the light and sound systems.  I'm sure in later shows I'll wax poetic about why we aimed this ellipsoidal there, or how the diffusion blue almost looks like it is UV enhanced when it hits a certain actors costume, or how THERE MUST BE SMOKE!!!!!!  Today though I thought I would explain a problem we had last weekend with the wireless relays.  It is a TECH blog after all.

So Jenny was watching Brittany and Mike in the Wedding scene, get closer, and closer, and closer, and there goes the kiss.... she hits #3 on the outlet remote, Darrel pounds the keyboard to get the sound effect going, Jenny hits the play button to advance the lights and activate the mover, and last of all, ever so expertly presses the #1 memory to turn on the geyser set with a rainbow light effect.  Everything was going perfectly, but no FREAKIN smoke?  She looks at me, I look at her, Darrel looks at both of us, then we all lean over the ledge and look at the geyser.

So for this show we stretched the limits by placing the geyser under the 2nd row of seating in the audience.  We thought, hey, we'll make them jump when it goes off, really bring the crowd into the show!  Apparently, the best we can tell, the wireless relay is losing connection with the transmitter.  Sometimes it works, sometimes it don't.  We think it is because the transmitter has to try and get through a bit of the brick wall, there's no straight line of sight.  When the transmitter cuts connection with the relays for 5 or so minutes it also cuts power to whatever is plugged into it.  This is so that when we shut the power down at night the lights in the ceiling don't stay energized.  We've only got about 10,000 hours on the chip sets in the lights, if they don't get disconnected that clock continues to tick and we lose $2,000 lights after the chip sets burn up.

So long story longer, we're going to try and run an extension chord and put the relay under the first row of seats.  The geyser will stay in the same place, there's pleeeeenty of cable length to get the relay in a workable spot.  I'm hoping to get it done during the pickup rehearsal tomorrow, but it depends on how soon I get back from my business trip.

Any who, thanks for reading, and come see Prelude to a Kiss!

Also keep watching for more, shorter, updates to the tech blog.

XXOO

Brian